From Pulp Fiction to Film Noir: Cinematic Translation of a Literary Style
This research explores three pulp novels by 20th century American writer James M. Cain and their subsequent film adaptations of the 1940&Mac226;s: The Postman Always Rings Twice, Mildred Pierce and Double Indemnity. These three movies are a few famous examples of film noir, an American cinematic style that reached its heyday in the 1940&Mac226;s. My research explores the text of these novels in comparison with their film translations, along with theoretical, historical and other secondary resources. I hope to better understand how instruments such as syntax, narrative structure and point of view create a distinct textual style, and how that translates into a distinct cinematic style, despite different directors, in their film noir adaptations. This research will provide the basis for my English undergraduate thesis.
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- Major: English, Interdisciplinary Studies Field
- Mentor: Julia Bader, English