Cassandra Branch

Films are cultural timestamps constructed to reflect the interests and beliefs of their audiences. The 1960s revolutionized the United States in more ways than one, and movies were not exempt from these changing tides. Over the course of the decade, sex work became a normalized narrative convention of several films, including Butterfield 8, Breakfast at Tiffany’s, and Walk on the Wild Side. This research project will seek to contextualize and explain this change in the cultural zeitgeist by examining the sociopolitical policy surrounding sex work at that time, in tandem with shifting understandings of gender and power in American society during this iconoclastic era. By understanding the changing social and legal realities of women and sex workers, these films can be understood as not only works of art, but as devices in a specific moment of cultural production that make larger arguments about women and labor. This project will draw […]